About The Movie:
The Heat introduces us to Sarah
Ashburn (Sandra Bullock), a talented FBI special agent whose uptight manner and
know-it-all attitude makes her the bane of her male peers. When the opportunity
for a promotion comes about, Sarah’s boss Hale (Demián Bichir) gives her the
chance to prove she can be a team-player, by assigning her to take down a
ruthless Boston drug lord with assistance from a local cop.
Unfortunately, the police officer in
question is Shannon Mullins (Melissa McCarthy), a foul-mouthed and tough as
nails Bostonian who immediately gets off on the wrong foot with her polar
opposite, in Ashburn. Can this odd couple put aside their differences, in order
to solve the case – one which involves violent criminals, drug dealers, and DEA
agents – and maybe even become friends in the process?
The Heat is directed by Paul Feig, whose
approach to comedy – on such television shows as Arrested Development and The
Office and the 2011 raunchy sleeper hit Bridesmaids – tends to be
dialogue-heavy and often seems improvisational. His latest film feels like a
spiritual companion to Bridesmaids in particular, for several reasons besides
the fact that both movies feature women protagonists (and include McCarthy as a
cast member). The final results aren’t as consistently funny or heart-warming
in The Heat as they were in Feig’s previous comedienne vehicle; nevertheless,
the director’s modern feminine spin on the buddy-cop formula is a satisfying
experience.
What Is Good/Bad About The Movie:
Bullock and McCarthy make for a
decent onscreen pairing. The Heat is more worthy of McCarthy’s talents than
Identity Thief from earlier this year. You get the feeling that the director just
steps back and keeps the camera rolling, while his actresses pull off a variety
of impressive slapstick maneuvers and verbal zingers throughout the film’s
running time. Bullock, by comparison, makes for a passable and intentionally-awkward
straight (wo)man, but there’s no question: she gets upstaged by McCarthy.
Feig keeps everything moving at a
healthy pace, which allows The Heat to pack enough in the way of humorous
firepower and jokes where, at the end of the day, the hits outnumber the
misses.
The male supporting cast are,
likewise, more successful than not as a whole. That includes a refreshingly
buttoned-down Marlon Wayans as an FBI agent who assists Bullock and Thomas F.
Wilson as McCarthy’s weak-kneed boss. In addition, Dan Bakkedahl (This Is 40)
plays a DEA agent, whose Albino appearance and distaste for women being on the
task force made for an okay character. Similarly, the rowdy members of
McCarthy’s very stereotypical Boston family – including Michael Rapaport as her
brother.
By the time The Heat reaches its
conclusion, it has provided a fair amount of belly-laughs. The film is not a
fantastic and subversive spin on the buddy-cop formula, but it does manage to
mix things up without feeling like little more than a generic addition to the
genre (with the traditional male leads played by women instead). Much of that
success can be credited to McCarthy & Bullock.
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