It was only a
matter of time before Drag Race tackled the seminal queer
cinema classic, Honey, I Shrunk the Kids. It’s a story about an
overbearing father pushing traditionally masculine hobbies on a disinterested
son, making out with neighbor boys, forming strong emotional bonds to insects
and iconic TV actress Marcia Strassman; it’s clearly canon.
Alright, fine.
Rick Moranis’ 1989 sci-fi family comedy might not be the obvious choice for a
challenge theme, but these late-season acting challenges are rarely worthy of a
Mark Twain Prize anyway. It’s another acting challenge, and, despite the
queens’ claims otherwise, the script is not “very fun.”
Luckily, the
thinned cast and emotional investment built to this point help buoy an
otherwise disappointing lap around this Race.
It’s a week
with no mini-challenge, which is already a letdown. Ru comes in to announce
this week they’ll be starring in the green-screen extravaganza, Henny,
I Shrunk the Drag Queens. The plot is simple, if ridiculous: A villainous
queen shrinks her competition using toxic overhead lighting, leaving the
miniaturized queens to journey across the oversized workroom.
The ladies are
left to suss their own parts out, and it’s obviously a trap. Several of the
parts sound strangely like some of these girls’ signature performance styles,
and the queens fall right for it. Olivia leaps for the sweet, but dumb part.
Gottmik claims the ditzy, whiny one. Kandy wants the delusional, brassy diva.
Symone makes a bid for Kandy’s role, but last week’s winner is dug in. Instead,
Symone settles for the brainy scientist. (Rosé hardly breaks a sweat, because
she knows she’ll slay whatever role she gets.)
It’s an
emotional episode for Symone overall. After struggling for a few weeks and
facing another acting challenge, this season’s beloved frontrunner is feeling
the pressure. In a sobbing confessional, Symone gets raw. She explains the
added pressure she feels following fellow house member Gigi Goode’s strong
showing last season. It’s a really vulnerable moment, and the emotions feels
authentic. We’ve seen so many sides of Symone, but this vulnerability is
powerfully endearing.
Part of what
makes this final product so puzzling is that the queens are left to source
their own wardrobe. Kandy, Olivia and Gottmik play it simple (key against the
green screen), but I’m immediately distracted by Rosé’s hot pink latex suit for
her butch character and Symone’s tiger print dress for the brainy natural
leader. It’s an odd aspect of the challenge that appears to have no impact on
judging, but it still detracts from the experience.
The gals shoot
with Michelle and Carson, and it’s clear from the outset this is going to be
rough. They’re coaching Gottmik and Kandy to go bigger and bigger. Symone’s
nerves appear to show through her performance. Olivia will not. stop. asking.
questions. No one is a disaster (a la “I was rooting for US”), but there’s not
a lot of laughs to be had.
Rosé, of
course, overdelivers, but she’s a lot looser than previous challenges. Even the
other queens note how Rosé’s attitude has relaxed as she got more comfortable.
I tend to agree. Gottmik nails the physical comedy, earning the biggest laughs in
rehearsals.
Everyone
(rightfully) seems shook ahead of the runway reveal (except Rosé), but it makes
for an interesting workroom discussion. The conversation drifts to
representation, setting Gottmik up for a really interesting and rare
conversation about the gender binary and the trans community. Just when I think
I can’t fall in love with Gottmik more, there’s another one of these moments
that’s delivered with such candor and ease, and my love only grows. Just a few
days after Trans Day of Visibility, it feels especially relevant to champion
not just more representation, but more multidimensional and diverse
representation. (Speaking of representation, Scarlett Johansson makes a
virtual appearance in the workroom, but has less to offer than Hathaway did a
few weeks back.)
My second
favorite moment in last night’s workroom occurs as Symone is applying her
eyebrows and wonders aloud “Are they going to be sisters or are they going to
be twins?” and, without missing beat, Kandy chimes in, “They’re going to be
neighbors, baby.” Truly, it’s far funnier than anything in the actual video.
This week’s
runway is Haute Pocket themed, and it weighs heavily on the judging.
Symone, for
starters, absolutely nails the assignment in a chic, wide-legged denim jumpsuit
with a large neck piece and pop-art zipper detail giving the effect of one
large pocket. To top it off, she chooses a red and yellow wig straight out of
the Hayley Williams Signature Wig Collection, and it is fierce as hell. None of
her pre-shooting jitters made it to film and the judges, including absolute
GODDESS Cynthia Erivo, are impressed with Symone’s subtle choices in her
performance. I don’t see it, but it’s hard to argue as they fawn all over her
runway.
Olivia looks
cute as always in a flirty, stoned dress with oversized pockets on her hips.
It’s well-made, but lacks the ambition of the other queens’ outfits. The judges
are tired of the same smiley schtick in her characters, and it’s clear Liv may
be in trouble.
Rosé gets
nothing short of glowing praise for her performance, and it’s all warranted.
Even with such a flimsy script, Rosé manages to punch-up the jokes with expert
delivery. On the runway, she rocks a super mod, black-and-white dress covered
in a pocket print. It’s classic, precise Rosé, but she’s clearly having a lot
more fun serving it.
Things take a
turn for confident Kandy. Her character is more of the same. It tickles the
judges, but it’s wearing thin even for them. The performance is disappointing,
but the runway really grinds the panel’s gears. It’s a Japanese-inspired dress
comprised of pockets strung together with chartreuse ribbon. She styles it with
a dramatic asymmetrical bob wig and bright colored makeup. It’s clear what
she’s going for, but it just falls short in the execution. The combo of a weak
performance and a sloppy runway doesn’t look good.
Finally,
Gottmik’s performance is fine enough, but her runway is a showstopper. There’s
a long, dark, sexy Cher wig, and a trenchcoat, which Mik opens like a flasher
to reveal watches lining the jacket and a gold bodice just covered in watches
and chains. It’s clever and decadent and beautiful and funny, an absolute
knockout. I clocked the Hercule s”You want to buy a sundial?” reference
immediately, but it was an endearingly nerdy moment that will only earn further
endear Mik legions of fans.
Ru asks the
girls who should go home, and things get tense. All the girls choose Olivia due
to her inexperience, but when it comes Olivia’s turn, she starts stalling and
tries to skirt the question. Ru is having none of it, and when she asks again
what follows is a prolonged, intense silence. It goes on so long. Long enough
to make everyone uncomfortable. Long enough to confuse Gottmik. Long enough to
write punch-ups for Henny, I Shrunk the Drag Queens. Eventually,
Olivia settles on Kandy, but everyone is so wiped, it doesn’t seem like Kandy
will take the news as hard as last
time.
The judges
award the night to Rosé, with high marks (and safe passage) for Gottmik and
Symone heading into the top four. That leaves Kandy and Olivia to fight it out
to Cher’s “Strong Enough.” It’s a fun lip sync, but nothing notable, save for
Kandy’s jubilant glitter toss into the air.
Where does
that leave our remaining queens? Let’s review our rankings heading into next
week’s top four.
1.
With the other queens nipping at her
heels, Symone remains the one to beat this season. Although
she’s lost the comfortable lead she enjoyed early in the season, she is still
the most poised to pick up this season’s crown. I thought the judges were
overly complimentary of her performance in Henny, but what’s not to
love about that runway? Sure, Symone has had some missteps, but when she comes
through, she absolutely knocks it out of the park. Her win no longer feels like
a guarantee, but she’s got the strongest shot.
2.
Meanwhile, Gottmik has
been steadily ascending all season. We know the fashion is there, but now we’ve
got this hilarious performer with an irresistible personality and bold artistic
vision. Yes, the character was barely distinguishable from Paris Hilton or
Gottmik’s usual vocal-fried LA character, but at least she gave the performance
a little gusto. You can’t clock that runway, though. It was just incredible.
(My favorite detail might have been the watch as ankle strap.) Gottmik is not a
dancer, so the final music video and lip sync challenges are going to be a real
test.
3.
Rosé’s mission is accomplished. She has managed to bring all her skills
and talent to the competition, but she’s also been able to relax in a way
someone like, say, Jan, never could. There’s no question she was acting on a
different level tonight than any of the other girls, and her runway was cute and
clever. Although her talent is undeniable, I just think Mik and Symone are so
much more EXCITING. If this race was about competency, it would be Rosé all
day, but it’s not. Talent is but one criteria.
4.
At this point, you are either for Kandy or
not. I didn’t hate her runway the way the judges did, but I also couldn’t
really process the details. I did like her makeup and styling. The lip sync was
serviceable, and her performance registered at the bare minimum. Kandy does
overly rely on her personality, which can be dicey when it’s so divisive.
Clearly, the judges (and I) are buying what Kandy is selling to an extent. (I
am still chuckling at the eyebrow bit.) However, of our top four, she’s got the
most ground to cover to catch up.
5.
Man, that was not a great way for Olivia to
go out. She really hit her stride earlier in the competition, and from those
high highs, we slowly saw her unravel, show flashes of that divalicious
attitude and commit to this cloying, childlike character. She was fine in the
film, but it was one trip to the well too many. I feel like Olivia is a strong
contender for a future All Stars season, and I’m eager to see
how she grows until then.
How would you
rank the queens?
SOURCE: TOWLEROAD
Love your recaps. Better than the show. You're so dedicated! Kizzes.
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