They say necessity breeds invention, and, if that’s
the case, RuPaul’s Drag Race season 12 made invention a
sloppy, little bottom.
Already hamstrung by controversy, the shaky start to
season 12 was just the beginning as production (and the rest of the world) was
pummeled by the pandemic. Instead of the appropriately grandiose grand finale,
the queens, like the rest of us, would be clocking in from their homes.
Anyone following even a smattering of their local
queens has grown accustomed to seeing the sort of home-baked performances
they’ve been cranking out in quarantine. (And, if you’re not following other
queens, stop reading this recap and go support them immediately, give them a
‘like,’ follow them on all the social platforms, buy their merch.
You cannot
say you love drag if you’re not supporting queens BEFORE they get on this
show.) Drag Race wisely took their cue from what’s been
working online and constructed a finale that tested skills while working within
the COVID constraints.
We got the usual filler interviews (including, as I
predicted, the ham-fisted “What would you tell this picture of yourself as a
child to make yourself cry on camera?”) and a recap of each queen’s journey to
this point. It wasn’t any more or less compelling than usual. (Did we ever
really need all that conducted before a packed house anyway?) If anything, the
vamping and hooting and hollering is typically merely another time-waster,
overstuffing an already usually packed finale.
With the exception of crowning Miss Congeniality
(which, as expected, went to a very deserving Heidi N Closet), we know we’re
just here for the lip syncs. If you’ve seen any stand-up comedy shows on Zoom
or similar streaming platforms, you’ve by now gleaned the importance of an
audience for all sorts of live theater. How would these virtual showdowns
compare?
Credit is due to the producers for conceptualizing
three unique rounds to test the ladies’ skills, though they weren’t all equally
compelling.
The first, a close-up lip sync, challenged the queens
to get up close and personal with the camera for a neck-up lip sync to Ru’s
latest song. Jaida wisely added dynamism to her performance by moving closer
and further from the camera, adding a level of depth that helped her “pop out”
of the screen more than her competitors. Gigi had a sharp, expressive take on
the track. Crystal was fine!
Don’t feel too badly for the kooky queen, because the
next round is where she really shined. Tasked with producing a one-of-a-kind
lip sync of their choosing, Crystal put a warped spin on Nelly Furtado’s “Like
A Bird.” Playing both a mama and baby bird and incorporating puppetry, Crystal
was all innovation (and regurgitation!). It was easily the most creative of the
top three, and it will likely go down in the annals (I said ANNALS) of herstory
as one of the show’s most memorable performances.
Gigi also experimented with the form, bringing a light
TikTok touch to her performance of “Take On Me” that recalled the iconic
video’s black and white world. The flourishes were nice, but the production
lacked the wacky details of Crystal’s. (Not a surprise if you recall Crystal’s
expertly self-directed commercial challenge.)
Not to take anything away from Jaida, but her at-home
lip sync to Ciara, was just that: a lip sync at home. It was well performed,
and she looked fierce as hell (wait, are we still saying fierce? ok, boomer),
but I was left wanting for a little more artistic vision. She looked
incredible, and it felt like a Ciara video. Not a Beyoncé video, mind you, a
Ciara video.
Ru had initially promised that one queen would be
dropped after the first two rounds, but decided to keep all three, which has sort
of become a habit this season. Still, it feels like the right move. We probably
would’ve lost Jaida after the first two rounds, based on those performances
alone, and that simply doesn’t make sense.
For the final round, production had sent all three
gals the exact same stage setup and props for a final performance. This was a
great way to level the playing field and put the focus on the performance.
Under those constraints, Crystal looked great and turned in a serviceable sync,
but was quickly overshadowed by her competitors.
Jaida truly embodied the notion of lip syncing for
one’s life, giving her absolute all in a stunning sync that featured tearaways,
high kicks and a cape that placed a print of a crown on a transparent
background over head. If anything, she might have done almost TOO MUCH that,
given the challenges of performing virtually, didn’t necessarily translate the
way they would on stage. It was almost overwhelming taking it all in.
Gigi struck just the right balance with a Wizard
of Oz-themed transformation that unfolded throughout the song in small
moments that were easier to appreciate on camera. However, as a lewk queen,
neither the before or after were the level of stunning we’ve come to expect.
As the streamers settled in their respective homes, Ru
declared Jaida Essence Hall this season’s winner! Jaida is probably the most
consistent performer of the season, and she embodies such a dedication to the
art of drag. She looked flawless all season, she can dance the house down and
she smartly found ways to use her natural personality to compensate when Ru
threw something at her outside her wheelhouse. She’s a great winner.
No matter who won, though, it bears repeating that
this was an incredibly strong season. Overlong and seemingly CURSED, but once
we got to our top six, any one could have made a claim to the crown and no one
would have batted an enormous, paper lash. Had we started with a top 10, and
without the first two non-eliminations, we could’ve shaved more than a month
off this season, and I think it’d be easier to appreciate the rest of the cast
in a more concentrated form.
However, there’s enough in the world to gripe about
(though, by all means, gripe away in the comments). For now, I raise my
quarantine glass (bottle, it’s a bottle) to our winner, and I’m glad I had this
(and all of you) to pass the time.
Stay safe and healthy, everyone. I’ll be back to
recap All Stars season five … next week?! I guess there’s no
rest for the queery.
Also, a huge thank you to Jacqueline Wilson, a
long-time producer of the show who passed away after season 12 wrapped.
SOURCE: TOWLEROAD
I'm sooo late on RPDG, haven't watched that show in ages. 🙂
ReplyDeleteHave a feeling it's getting better and better when it comes to production, because, bet they're putting in more money than before. 🤷♂️